Du Xunhe

出自全球本体聚合平台

公开 · 可引用 · 更新于 2026-09-13

Du Xunhe (846–904; 907 is also given) was a late-Tang poet and man of letters, and is also identified as a calligrapher. His courtesy name was Yanzhi, his sobriquet Jiuhua shanren, and he was the fifteenth in birth order; he came from Shidai in Chizhou (present-day Shitai, Anhui), with Qiupu also given as his native place.

Life

His family background is surrounded by competing traditions. One account says that, while Du Mu was serving as prefect of Chizhou, Du Mu's concubine Zhou became pregnant, married the villager Du Jun, and gave birth to Xunhe; another simply calls him Du Mu's son by a concubine. Later writers generally regarded the story as spurious, while a kinship record lists Du Mu as his father.

He showed early talent and came from a poor background. He studied on Mount Jiuhua and befriended Gu Yun and Yin Wengui; after repeated failures in the examinations for the jinshi degree, he traveled through Minyue, Jingchu, and Liang-Song, then returned to the mountains and lived in retirement for fifteen years. In 891, the second year of Emperor Zhaozong's Dashun era, he passed the examination, reportedly ranking eighth through the Ministry of Rites at the age of forty-six; amid the disorder of the age, he returned to his old mountain retreat.

Tian Jun, military governor of Xuanzhou, recruited him as a staff officer; the career record also lists the office of jiedushi pan'guan. In 903, Tian rebelled against Yang Xingmi and sent Xunhe as an envoy to Daliang; after Tian's defeat, Xunhe remained there. Zhu Wen then memorialized him for appointment as Hanlin academician, Vice Director of the Office of State Guests, and Drafter of Imperial Edicts. After the appointment, he contracted a severe illness and died within ten days; his death is dated to either 904 or 907, with another account placing it five days after the founding of Later Liang.

Literary achievement

Du excelled in recent-style poetry, especially regulated verse and quatrains; his style was simple and accessible. His concise, vigorous poems used plain, direct depiction to portray the suffering of ordinary people and criticize the dark realities of the late-Tang turmoil. He expressed his poetic aim as “詩旨未能忘救物”; amid the disorder of the late Tang, his work formed a distinctive style later called the “Du Xunhe style.”

A preface attributes about three hundred five- and seven-character poems to his lifetime; his verse was praised as elegant, lucid, and forceful, with the power to strengthen human relationships and moral conduct. Critical opinion was divided: some praised his incisive diction, direct expression in recent-style verse, elegant manner, and high-quality heptasyllabic poetry, while others criticized its colloquial language, its immersion in late-Tang habits, and its distance from Li Bai and Du Fu.

His poetry also addressed current affairs. After entering the Later Liang realm, he presented Zhu Wen with ten poems titled Shishi xing, intending to urge lighter corvée and taxes; because the court was then engaged in military campaigns, the proposal found no favor, and he later composed thirty eulogistic poems in the hope of gaining advancement, a compromise criticized as the abandonment of his high aspirations and good name.

Works

His collected works include the three-juan Tangfeng ji, also known as the Du Xunhe wenji; another account gives the title Tangcheng ji. His surviving poems appear in the Complete Tang Poems and its supplement: the former is variously counted as three or four juan, while the supplement adds four poems and six fragments.

References

  1. CBDB Du Xunhe (34916)
  2. 搜韵 杜荀鶴 (17287)
  3. Wikidata Du Xunhe (Q712788)